Nearly a decade ago, theatremaker Kelvin Wong stood outside Kuala Lumpur Performing Arts Centre’s (KLPac) Indicine space to welcome audiences to Antigone, a contemporised staging of the ancient Greek tragedy by Sophocles. It was the first production by his newly formed collective, Theatresauce.
The play raised enduring questions that continue to resonate: does standing up for one’s beliefs risk being branded an act of treachery, and who – or what – ultimately decides what is right and wrong?
