IAMM weaves Palestinian heritage and culture into upcoming ‘Tatreez’ exhibition


By M. IRSYAD 
The Islamic Arts Museum Malaysia (IAMM) in Kuala Lumpur is spotlighting Palestinian heritage and culture with its upcoming exhibition 'Tatreez: Reclaiming Palestine Through Embroidery,' which opens on June 19 and runs until April 25, 2027. Photo: The Star/Filepic

Palestine is brought into focus as the Islamic Arts Museum Malaysia (IAMM) in Kuala Lumpur announces a major upcoming exhibition Tatreez: Reclaiming Palestine Through Embroidery, which opens on June 19 and runs until April 25, 2027 in Special Galleries 1 and 2. Tatreez is the Arabic term for embroidery.

As a far-reaching exhibition developed by IAMM and drawing on the museum’s collection, the showcase explores Palestinian embroidery, or tatreez, as both a visual language and a repository of memory, with regional motifs and techniques reflecting histories of place, identity and continuity across generations.

Like IAMM’s earlier exhibition Busana: Traditional Costumes Of The Malay World, this new show employs textiles, garments and accompanying accessories as a lens through which to understand history.

A silk wedding thobe (a traditional long robe) exhibit from Ramallah, featured in the 'Tatreez: Reclaiming Palestine Through Embroidery' show. Photo: IAMM
A silk wedding thobe (a traditional long robe) exhibit from Ramallah, featured in the 'Tatreez: Reclaiming Palestine Through Embroidery' show. Photo: IAMM

“Over the years, the IAMM has gathered a significant collection of artefacts dating from the 19th to the 21st century. Each piece reflects generational heritage, ceremonies and celebrations during a period of cultural vitality, including several rare examples. This carefully curated collection has enabled IAMM to design an exhibition that tells the story of Palestine through its clothing and adornments,” writes Sharifah Shahanaz Syed Mohamed Redzuan, curator and researcher, in the IAMM newsletter.

Colours and motifs in Palestinian embroidery have historically reflected social status, beliefs, taboos and ceremonial traditions shaped by women’s lives. From everyday garments to special-occasion dress, these designs often conveyed aspects of identity without words.

The exhibition is organised across two galleries. Special Gallery 1 presents traditional motifs and regional styles reinterpreted with contemporary sensibilities while remaining rooted in identity and belonging. Special Gallery 2 highlights the diversity of Palestinian embroidery, with variations in styles, motifs and colour palettes across different localities.

A necklace featuring an evil eye protection motif, from Jaffa or Ramlah-Lydda, dated to the 1920s. Photo: IAMM
A necklace featuring an evil eye protection motif, from Jaffa or Ramlah-Lydda, dated to the 1920s. Photo: IAMM

The gallery, taking in geographical considerations, is further divided into 10 regions: Galilee, Nablus, Ramallah, Bethlehem, Jerusalem, Hebron, Jaffa, Ramlah-Lydda, Gaza and Naqab. Each region has its own distinctive embroidery style, colour palette and textile traditions.

“Visitors will discover a variety of embroidery techniques from cross-stitch and couching to other traditional stitches, brought to life on carefully chosen textiles such as linen, cotton, silk, taffeta and velvet.

"Beyond the thobe, a stunning array of headpieces including araqiyeh, shatweh, wuqayeh and more have been paired with veils, silver necklaces, chains, bracelets and other accessories,” reads a statement by IAMM.

The exhibition will be accompanied by a series of public programmes in the months ahead, including workshops and talks.

More info here.

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