In a historic, if long-awaited, move, luxury goods behemoth LVMH named Jonathan Anderson creative director of Dior for womenswear, menswear and couture, making him the first designer to unite all sides of the brand since Christian Dior himself.
Anderson is “one of the creative talents of his generation”, said Bernard Arnault, CEO of LVMH, in announcing the news – which also upends long-standing LVMH practice.
Since 2001, when LVMH transformed the Dior men’s line from a license to an integral part of the house, it has been conventional wisdom that no one designer can manage the burdens and pressures of both menswear and womenswear.
Such a role involves creating 10 different collections a year for what is now estimated to be a US$9bil (approximately RM38.2bil) brand.
Daring to rewrite those rules and concentrate all the power in the hands of a single designer is a risk for both brand and individual.
But it also underscores the current precarious state of the industry, which has seen a broad slowdown in sales thanks to global political and economic unrest, and the general belief that a shake-up was needed.
Anderson’s appointment qualifies. It is the final step in what has been one of the most-drawn out succession dramas in modern fashion history as well as another move in an unprecedented shifting of fashion’s creative landscape, with 17 different brands naming new designers in 2025 – four of them at LVMH alone.
Read more: Jonathan Anderson named women's creative director at Dior in major fashion move
Anderson was named to the men’s post in April somewhat unceremoniously – Arnault dropped the news in a general shareholder meeting before it had been officially announced, but Maria Grazia Chiuri remained artistic director for womenswear.
Recently, she held a Dior Cruise show in Rome – and two days later the brand announced she was leaving.
“A change in creative leadership brings a fresh opportunity to reinvigorate the brand,” wrote Luca Solca, luxury analyst for Bernstein, in a note after Chiuri left.
Anderson, 40, famously ambitious and charming, has been a part of LVMH since 2013, when he was named designer of Loewe, then a little known Spanish leather goods house the group had bought in 1996.
Over 11 years, Anderson transformed Loewe from largely irrelevant to one of the hottest brands in fashion, with annual revenues estimated at US$2bil (RM8.5bil).
He proved expert at balancing the kind of high-concept runway collections that create buzz and boggle the eye with commercial products.
On the one hand, he would show dresses with cars in their hems or tailcoats microbeaded to resemble classic country house tapestries; on the other, he created accessories like the Loewe Puzzle bag that became classics, and internet-friendly stilettos with sunny side up eggs trapped under the point of the heel.
Both provided catnip for celebrities seeking a bit of edge, with his Loewe circle including Josh O’Connor, Ayo Edebiri, Greta Lee and Daniel Craig, who used a controversial Loewe ad campaign to shed his James Bond stereotype.
As if in acknowledgment of his achievement, in 2024 Loewe was the chief sponsor of the Met Gala, and Anderson stood in the receiving line next to Anna Wintour – who was wearing an embroidered Loewe tailcoat over her Loewe dress.
Still, Anderson showed signs of restlessness, partnering with director Luca Guadagnino, another creator who bridges the worlds of art house and pop culture, to design the costumes for two of Guadagnino’s films, Challengers and Queer.
Read more: A look back at Jonathan Anderson’s star-studded legacy of dressing celebrities
Despite such a seemingly bountiful creative output, uniting both sides of Dior will be a very public challenge.
While Anderson had years to find his groove at Loewe (where he has been replaced by Jack McCollough and Lazaro Hernandez of Proenza Schouler), he will not be granted the same grace period at Dior, which is both the cornerstone of the LVMH empire and responsible for an estimated 20% of the fashion and leather goods revenues of the group.
Famously the pet brand of Arnault, it was publicly identified as an underperformer in the 2024 financial results by Cecile Cabanis, the LVMH chief financial officer.
The pressures of designing for Dior were blamed by former artistic director John Galliano for the addictions that caused his own personal implosion in 2011, as well as his dismissal from LVMH – and he was only in charge of womenswear.
Anderson will be expected to reverse that direction starting with his first show, to be held in June during the menswear season; his first womenswear show will take place in October.
He has put his namesake brand, JW Anderson, on hold, the better to focus on Dior.
In the news release, he called getting the job “a great honour”. Whether it is an anomaly or a paradigm shift remains to be seen. – ©2025 The New York Times Company
This article originally appeared in The New York Times.
