In a maze of plywood artists’ studios built into a Dublin, Ireland warehouse, author and filmmaker Seanan Kerr stitches together a career that – until recently – had little guarantee of stability.
That all changed in 2022, when Ireland began paying 2,000 practising artists, including Kerr, a no-strings-attached guaranteed weekly stipend of €325 (RM1,512) for three years.
For the 45-year-old Kerr, who is also a performer, the groundbreaking scheme was nothing short of “radical”.
“It’s almost unbelievable it even happened,” he said in his tiny, box-like workshop amid piles of books, sketches and scribbles.
The “Basic Income for the Arts” (BIA) initiative is a first for Ireland, and unique in Europe, attracting interest from other nations such as Germany and Finland.
The scheme “... sets Ireland apart in how we support our artists,” Ireland’s Minister for Culture, Patrick O’Donovan, said.
Framed as “recognition, at government level, of the important role of the arts in Irish society”, the government has declared the pilot a success.
It was made permanent in February, and the government set aside around €18mil (RM84mil) for 2026 to fund 2,000 artists from September for three years.
Freed for total creativity
The benefits recorded in the culture ministry’s data include increased productivity and reduced anxiety among participants.
Those chosen for the stipend can earn extra money on top, and pocket more than the average unemployment benefit of about €250 (RM1,163) a week.
“Giving artists freedom to just take the money, do what you want, allows them to step into a mindset of pure, total creativity,” Kerr said. “It’s allowed me to rebuild my sense of self as an artist, and set myself up for the future,” he added.
Being able to afford a morning coffee, buy clothes or attend artists’ workshops gave him “a basic level of decency”, he said, before heading out to a poetry night.
In another of the box spaces which can be rented for between €150 and €300 (RM698 and RM1,396) a month, Kieran Guckian, 42, a landscape artist, said he was “excited” to apply before a May deadline.
“Everyone’s always doing little side gigs, I teach and do workshops,” he said.
“Having that basic income would free me up for more studio time,” he added, glancing at half-finished canvases.
Shared concerns
While many hail the scheme as transformative, some worry its limited scale casts a shadow over its promise.
In a light-filled artists’ studio complex in central Dublin, Caelainn Hogan, a journalist and author who has been building a reputation for her writings, described the scheme as “life-changing”, but shared conflicting feelings.
Hogan, 37, found out she was pregnant six months into the pilot payments.
“That was frightening as a writer, as someone without financial security,” she said.
Her last payment was in February, and with over 10,000 artists expected to apply in May her chances of being selected again in the future are slim.
Once they have determined the eligible candidates, they are all anonymised before a software using a randomised process selects the winners – a kind of high-tech lottery.
“I’m raising a child and want to continue creative work, but even if I got lucky again it would only last for three years,” said Hogan.
“That’s precarity, not sustainable support,” she added. Arguing the scheme could be extended to all eligible artists, she warned of a divisive two-tier system of haves and have-nots.
With rents in Dublin among the highest in Europe, Hogan also blasted politicians “boasting about supporting artists” while overseeing a housing crisis.
Social dividends
Across town, visual artist Day McGee, who lived in a subsidised studio-apartment during the pilot, will soon be moving out to a friend’s spare room.
The “stability” of the payments helped McGee, 33, stage a first solo show and secure writing commissions.
The BIA “... was a temporary chance to live,” he said. “Now I don’t know if I can continue leading a normal adult life.”
Government research indicates artists are three times more likely to live in deprivation than others.
Even big names suffer precarity, said Carla Rogers of the National Campaign for the Arts.
“You might have a great run performing on a West End stage only to come home to couch-surf,” she said.
The NCFA also hopes payments will eventually reach all eligible artists.
The scheme can pay for itself, generating around €1.39 (RM6.50) for every euro invested according to the government’s own research, Rogers said.
“It’s a financial investment that pays social dividends: creativity fuels culture, tourism, and communities,” she said.
O’Donovan has hinted the scheme may be expanded, but with the lottery oversubscribed many will be disappointed.
“Not all eligible applicants will receive funding,” a government spokesperson warned. – AFP
