Chinese dissident artist Ai Weiwei made his directorial operatic debut in Rome recently with a new reading of Giacomo Puccini's final, unfinished opera, Turandot.
And with a storyline seeping with bloodshed and despotism, a new geopolitical focus and Ukrainian conductor Oksana Lyniv in the pit, the new production - originally meant to have premiered in 2020, but delayed because of the coronavirus pandemic - comes exactly on time.
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