There aren’t many hours in the day when 13-year-old Izzy Bee doesn’t have a baby koala hitching a ride on the back of her neck or following in her shadow.
After living among rescued koalas at her home and mum Ali’s veterinary clinic for as long as she’s known, the Australian teen has formed a special relationship with the cuddly marsupials.
“I don’t know what it is about koalas,” Izzy tells dpa as a baby koala climbs on her shoulders. “I’ve grown up with them all my life, so I’ve grown that connection with them.”
That unique connection not only earned her the nickname “koala whisperer” from her dad Tim, it also caught the attention of Netflix.
In September, an eight-episode documentary series Izzy’s Koala World was launched in over 190 countries.
Filmed when Izzy was just 11 years old, the series follows the Bee family as they take care of koalas on Queensland’s Magnetic Island in north-east Australia.
Viewers learn about the plight of the threatened species, which face habitat destruction and injury from vehicles, fences and dog attacks as they are forced into more urban areas.
And while getting a lesson in conservation, audiences also get to witness the koalas’ adorably quirky behaviour and unique personalities.
“This new little one Molly is really obsessed with noses; she’ll bite and lick the tip of everybody’s noses, ” Izzy says, giggling.
The babies stay in the house – which doubles as a sanctuary for rescued koalas – to receive extra care, while the others are at Ali’s koala rehab facility.
“The babies squeak loud enough for me to hear them upstairs, so I come down to feed them in the middle of the night, which is primarily why we have them in the house,” says Ali, who has been responsible for saving over 230 koalas on the island.
She explains that once strong enough, the animals move into “nursery, then kindergarten”, before being released back into the wild.
“They are just the most adorable things and they’re so helpless. They just look at you and your heart just melts – you have to help them,” Ali says.
The series comes at a particularly critical time for the native Australian animals, which are highly vulnerable to threats including deforestation, disease and the effects of climate change.
Before the devastating “Black Summer” bush fires of 2019-2020, the Australian Koala Foundation estimated there were “no more than 80,000” left in Australia, making the species “functionally extinct”.
Once a koala population falls below a critical point, it can no longer produce the next generation, leading to extinction.
The habitat destruction caused by the bush fires has seen koala numbers further plummet. A parliamentary inquiry found that koalas would be extinct in the state of New South Wales by 2050 without urgent intervention to protect their habitat and help the species recover.
New South Wales was the state worst affected by the fires, with as much as 81% of koala habitat burnt in some areas.
However, the inquiry agreed with evidence showing that even before the bush fires ravaged the state, koalas were tracking towards extinction within the next 30 years.
Environmental experts and activists have been pushing for better koala protection legislation in the country and for the species’ threat status to be upgraded from vulnerable to endangered.
Environment Minister Sussan Ley recently agreed to add the combined koala populations of Queensland, New South Wales and the Australian Capital Territory to the priority list for assessment by her independent Threatened Species Scientific Committee (TSSC).
“This process is critical in ensuring threatened species are given strategic protection, are eligible for targeted funding and that awareness is raised about the issues impacting them,” Ley says.
Ali hopes the Netflix series will lead to a bigger-picture view of conservation and climate change action in the country.
“Even if it’s not koalas, there are plenty of animals that need that care and attention, which essentially comes down to looking after the planet. If we don’t do that and don’t act on climate change, they’re not going to have anywhere to live,” Ali tells dpa.
“It’s all about the big picture; getting people to see the bigger picture and getting the younger generation fired up to do something about it.” – dpa
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