Soccer-World Cup's 'Chief Watchers' savour tournament's dream job


Soccer Football - FIFA World Cup 2026 - New York City, New York, U.S. - July 15, 2026 Chief World Cup Watchers Kevin Akoto and Austin Franklin react during the England v Argentina FIFA World Cup Semi Final match in their World Cup Watcher Box located in Times Square REUTERS/John Sibley

NEW ⁠YORK, July 15 (Reuters) - World Cup fanatics Kevin Akoto and Austin ⁠Franklin have lived the dream of any diehard football fan this ‌year: watching every match from the tournament from start to finish - and getting paid for it.

The "Chief World Cup Watchers" for U.S. broadcaster Fox One will add a unique item to ​their resumes when the final whistle sounds in ⁠Sunday's final between Spain and ⁠Argentina, having watched all 104 matches from the quadrennial showpiece.

"My dad cleans up ⁠oil ‌spills for a living,” said Franklin, an influencer living in Los Angeles. “I sit here with my friend Kevin and watch all ⁠of these matches and get to go outside and ​interact with fans.”

The pair ‌sit inside a glass-walled viewing cube in Times Square on matchdays, ⁠living life ​in a sort of fish bowl, as passers-by often stop to peek in and even pull up chairs to watch the televisions inside.

Each of the two watchers ⁠is paid $50,000 for the tournament.

Throughout the tournament, Akoto ​and Franklin have posted content across their social media platforms, commentating on games or interacting with followers.

“If we've seen anything throughout this World Cup, it's that ⁠people are consuming sports more through social media,” said Akoto, who quit his job as a line cook in Florida to take the role.

“The more behind-the-scenes stuff is how people are consuming sports content.”

Akoto and Franklin said ​they would both do the job again – even ⁠if the World Cup expands to 64 teams from 48, a move which ​FIFA will discuss after the tournament.

“I don't think ‌we're sick of watching soccer yet," ​said Franklin. "However many more they want to give us, we'll watch them."

(Reporting by Ethan Plotkin and Jenna Zucker; Editing by Peter Rutherford)

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