Fewer people are going to the movies despite box office boom


By AGENCY
Obsession. Photo: Handout

TheUS box office saw its biggest opening weekend in history thanks to the one-two punch of Spider-Man: Brand New Day and The Odyssey.

But the industry's rebound is increasingly being powered by higher ticket prices, premium-format screenings and a handful of blockbuster releases rather than a broad return of moviegoers. 

While the domestic box office revenue is on pace for its best year since the pandemic, film audiences have shrunk.

Whether high-budget movies can sustain this year's momentum is an early test of how much the industry's recovery depends on fewer people paying more to watch movies.

Theatres sold an estimated 470.9 million tickets through the first 30 weeks of 2026, compared with 747.3 million during the same stretch of 2019, according to S&P Global Market Intelligence.

"Revenue growth for exhibitors for a long while now has been mostly driven by increases in average ticket price along with increases in concession prices," said S&P Global Market Intelligence analyst Wade Holden.

Data from research firm Placer.ai, which tracks foot traffic, shows a similar pattern. 

The Odyssey. Photo: Handout
The Odyssey. Photo: Handout

When measured through July, US theatre attendance is up 8.1% this year compared with 2025, but down 27% against 2019 levels.

A stronger and more varied slate of films, including non-franchise successes like Obsession and Project Hail Mary, has helped drive box office growth this year. 

Domestic box office revenue reached US$6.2bil (RM25bil) through Aug 2, up 15% from the same period last year, according to media analytics firm Rentrak. 

In 2019, box office sales topped US$7bil (RM29bil) at this point in the year.

Unlike recent years, when the domestic box office was dominated almost entirely by sequels and popular franchises like Marvel and Star Wars, this year's biggest earners include a larger share of original or standalone films, suggesting audiences are responding to a broader range of theatrical releases.

"This year's success at the box office speaks to a well-rounded release calendar that features a bit of everything and appeals to a wide spectrum of moviegoers," said Shawn Robbins, director of movie analytics for ticket seller Fandango and the founder and owner of Box Office Theory.

Spider-Man: Brand New Day. Photo: Handout
Spider-Man: Brand New Day. Photo: Handout

The high-profile summer releases of Spider-Man and filmmaker Christopher Nolan's re-imagining of Homer's epic, which has sold out higher-priced IMAX venues, are giving exhibitors some of their best results since the pandemic. 

Covid-19 accelerated a shift that was already underway as streaming services gave consumers more home viewing options.

Many audiences now reserve theatre visits for major event films and franchise releases. 

Theatre chains responded by expanding premium large-format screens and upgrading the in-theatre experience, betting that consumers will pay more for outings that cannot easily be replicated in front of a television.

Early signs are encouraging. 

AMC Entertainment, the world's largest cinema chain, said strong demand for premium screens helped it post its highest single-weekend revenue in its 106-year history and biggest-attended weekend of the decade. 

More than 10.2 million moviegoers visited its AMC and Odeon theatres, it said.

Even though inflation has partly weighed on the consumer appetite for the movies, higher prices have benefited a handful of major studios, with Universal, Walt Disney, Sony, Warner Bros and Paramount Pictures, accounting for 68% of domestic receipts this year, according to an analysis of data provided by Rentrak.

Project Hail Mary. Photo: Handout
Project Hail Mary. Photo: Handout

Hollywood concentration has prompted concern from regulators. 

California, along with 11 other states, sued Paramount Skydance to block it from acquiring rival Warner Bros Discovery in a US$110bil (RM450bil) deal. 

A combined Paramount and Warner would have made up nearly 11% of the domestic box office through a recent weekend, according to Rentrak.

The success of titles such as The Odyssey and The Super Mario Galaxy Movie, distributed by Comcast's Universal helped lift its market share to 24%, underscoring how a small number of blockbuster releases are increasingly driving exhibitors' financial performance.

According to EntTelligence, the average adult ticket price was US$13.46 (RM55) through July 30 this year, while admissions for premium formats such as IMAX averaged US$18.22 (RM74). – Reuters

 

Follow us on our official WhatsApp channel for breaking news alerts and key updates!

Next In Entertainment

Nicole Kidman recalls being warned about marrying Tom Cruise at 23: ‘I didn’t care’
The late Dolly Parton has a new song coming ... in 2045
Simple Plan's Sebastien Lefebvre reflects on band's brotherhood ahead of concert in Malaysia
Comedian Ma Guo Bi's mum sold her home to help 51YO son repay RM6.3mil gambling debt
Peter Cullen, voice of Optimus Prime, dies at 85
HK actor Mat Yeung's restaurant in PJ resumes operations, 2 days after being shut by MBPJ
KDN, censorship board to give film industry more space for creative expression
Broadway star Lea Salonga defends unfollowing BTS’ RM, J-Hope after Chris Brown concert
Uqasha Senrose on working with Aliff Aziz after his marriage scandal: ‘Who am I to judge?’
Former child actor alleges she was ‘repeatedly raped’ during filming of Disney Channel movie

Others Also Read