World Cup drives up sales of counterfeit jerseys in Argentina


FILE PHOTO: Sep 27, 2022; Harrison, New Jersey, USA; Argentina fans hold the jersey of forward Lionel Messi (not pictured) during the second half against Jamaica at Red Bull Arena. Vincent Carchietta-USA TODAY Sports/ File Photo

BUENOS AIRES, ⁠May 29 (Reuters) - World Cup fever in Argentina, home of the ⁠defending champions, has boosted sales of counterfeit jerseys and soccer trading ‌cards, sparking protests from retailers who are already under pressure from President Javier Milei's market-opening policies.

The main shopping streets of Buenos Aires are flooded with hats, flags, mate ​gourds and t-shirts in patriotic light-blue and ⁠white colors.

Argentina's World Cup victory ⁠in 2022 "makes people who don't even like soccer feel that passion," said ⁠Fabián ‌Castillo, head of the Buenos Aires commerce chamber.

But he suspects more than 70% of the Argentine national team jerseys sold ⁠on the street are counterfeit. Around the world, many ​consumers say they ‌knowingly buy low-priced imitations because of the often high prices of ⁠official jerseys.

That ​is particularly the case in Argentina, where residents' purchasing power has dropped as salaries have failed to keep up with inflation. The sales of counterfeit ⁠goods add to other challenges facing the localtextile ​industry, which has seen factories close due to an increase of cheap imports under Milei.

Lucas Aranda, a textile merchant from the province of Buenos ⁠Aires, sells national team jerseys for 40,000 pesos ($28) each, about a quarter the cost of originals.

Counterfeits have also spread to the popular soccer stickers that children - and many adults - collect to complete their World Cup ​albums. While originals can be found at convenience ⁠stores, cheaper "alternatives" are offered online.

The World Cup kicks off next month, hosted ​by the United States, Canada and Mexico. ‌Argentina's first match is against Algeria on ​June 16.

(Reporting by Eliana Raszewski, with additional reporting by Miguel Lo Bianco; Writing by Leila Miller; Editing by Rosalba O'Brien)

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