Kolams serve as symbols of tradition and spirituality
PETALING JAYA: With Deepavali around the corner, colourful kolams are once again appearing outside homes, temples and shopping malls across Malaysia.
But beyond their visual appeal, these intricate patterns carry centuries-old traditions rooted in spirituality, community and cultural heritage.
Kolams hold deep significance in Hindu culture and are commonly drawn at the entrances of homes, temples and wedding halls to mark auspicious occasions.
Traditionally, they are created to welcome Goddess Lakshmi, the deity associated with prosperity and wealth. The use of rice flour also reflects sharing and generosity, as it serves as food for ants, birds and other small creatures.
Kolam originated from South India, and is traditionally characterised by symmetrical geometric patterns created using dots, lines and curves.
Similar floor art traditions are found in other parts of India and are commonly known as rangoli, with designs often featuring flowers, oil lamps and auspicious animals such as elephants and peacocks.
Beyond Deepavali, kolams are also commonly created during festivals such as Ponggal and Kartigai, and other ceremonies like weddings, engagement and naming ceremonies.
Women would usually wake up before dawn to clean and pour water at the entrance before creating the kolam.
The art form requires patience, concentration and precision. The rice flour is held between the thumb and index finger before being released in a controlled manner onto the ground.
Many kolams begin with rows of dots, known as pulli, which are then connected using lines and loops to create intricate patterns.
As lifestyles have evolved and people face increasing time constraints, the traditional practice has also adapted.
While many still create kolams by hand, some choose to paint permanent designs at the entrances of their homes, while others opt for ready-made sticker kolams that can be applied within minutes.
Despite these changes, kolams continue to symbolise prosperity, hospitality and cultural identity.
While the rise of painted and sticker kolams reflects changing lifestyles, Malaysia Hindu Sangam president Thanga Genesan said the organisation does not discourage their use, recognising the practical challenges faced by modern families.
However, he stressed that convenience should not come at the expense of preserving traditional knowledge and skills.
He said younger generations should be encouraged to take an active interest in learning how to create kolams, rather than simply appreciating them as festive decorations.
“Traditionally, kolam was more than just a decorative art. It was a meaningful practice passed down from one generation to another, often through mothers and grandmothers teaching their children.
“Beyond its beauty, kolam symbolises auspiciousness, prosperity, harmony and the welcoming of positive energy into the home,” he said.
He urged parents, temples, Hindu organisations and community groups to introduce kolam drawing to children through family activities, workshops and festive celebrations.
“Our message to the younger generation is simple: embrace modernity, but never lose the traditions that define our cultural identity.
“Even learning to draw a simple kolam is a meaningful first step towards preserving this beautiful heritage for future generations.
“A tradition survives not merely when we display it, but when we continue to practise it and understand the values behind it,” he added.
