Review: Desolasi

Aiman is upset that the valet parking attendant stole his favourite 4U2C tape from the car. A scene from Desolasi. Photos: Skop Productions

Ironically, for a movie with a title that translates to “state of emptiness”, Desolasi is a full-on assault on the senses. It’s as if director Syafiq Yusof is afraid of desolation himself, to the point that his movie is filled with mind-boggling visual effects, neverending explosions and anguished cries.

The story revolves around Aiman (Syamsul Yusof), a visual artist with his own perception of reality. Growing up, he coloured his drawings differently from the other kids in school and that made his teacher upset. Aiman questioned why God allowed suffering in the world. He said God could make everyone happy by just giving them what they want.