FROM Johnny Cash’s late-life cover of Nine Inch Nails’ Hurt to Christina Aguilera’s eponymous 2006 hit or REM’s cigarette lighter-hoister Everybody Hurts, pain – usually the emotional kind – is an evergreen trope in music.
But music can at the same time be a palliative, an aural painkiller, according to research done at the Roy Pain Lab at Montréal’s McGill University.
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