Director Paul Feig has proved himself to be the preeminent purveyor of the finest high-camp trash one can find at the movie theater these days – and that’s a compliment. If Feig is serving up the trash, then call me a raccoon, because I’m ready to dive in.
Feig’s special sauce when it comes to these soapy, female-driven thrillers like A Simple Favor, and now The Housemaid, adapted by Rebecca Sonnenshine from a BookTok sensation by Freida McFadden, is clearly his comedy background.
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Summary:
Trashy holiday treat
