Ilham Gallery’s art collection surveys regional-based historical, personal and political perspectives

A visitor examines the details in Mella Jaarsma's work 'The Follower' (embroidered emblems, 2002); Back: Foo May Lyn's 'Talisman Dress' (red thread on rayon.viscose, 2016). Photo: The Star/Ong Soon Hin

Like most art galleries, there is a sign here that tells you not to touch the artwork. But even though Tayeba Begum Lipi’s winking, gleaming piece of art beckons you to rest your head on its pillow, you would hardly be tempted to cop a feel.

Hers is a bed made out of razor blades that can cut deep – so beware!