Extreme ends


A Malaysian artist reflects on a conflicted society in her adopted home of Yogyakarta.

IN the middle of the city stands the Kraton, home to the Sultan and the heart of Javanese culture. Within its walls, the streets wind themselves around the palace grounds, snaking around humble dwellings and shops. Markets and schools dot the compound, set against the backdrop of elaborate architecture from an age long past.

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Extreme ends

   

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