China aired 93 new imported films in 2024, the most since 2019. — Bloomberg
BEIJING: On her way to catch a foreign flick in Beijing, Jane Yao buys a cinnamon roll, eats ramen, visits a bookshop and drops by a supermarket to grab some snacks.
Such an impulse splurge has become all too rare in China, a country where consumption growth is still far below pre-Covid-19 levels and poses a major hurdle for the economy.
Equally surprising was Yao’s choice of entertainment – a rescreening of Harry Potter and the Chamber of Secrets during a retrospective showing across China not long ago – which drew a big crowd of mostly millennial viewers on a weekend afternoon.
A blockbuster run for many international films – old and new – stood out in a market whose overall box office receipts slumped to a decade low, excluding the pandemic.
Though deeply conflicted about foreign cultural influence, China aired 93 new imported films in 2024, the most since 2019, according to China Movie News, an outlet managed by the government body that oversees film approvals for local audiences.
President Xi Jinping’s government has been cracking down on anything perceived as too Western or immoral at the box office in recent years. But as officials try to boost consumer spending to support a cooling economy, there are early signs those constraints are easing.
“Chinese authorities’ attitude has been oscillating between the two extremes of nationalistic pride and liberal globalisation,” said University of California associate professor Wendy Su, who specialises in China film studies and Hollywood’s relationship with the country.
“Now that China’s economy is not in a good shape, China wants to amend the relations with foreign countries and bring in more foreign films.”
Moviegoers have a particular appeal since most of China’s cinemas are located in malls, creating an opportunity for people to squeeze in some shopping on the side. Unleashing domestic demand is especially important as China stares down the growing possibility of a second trade war with the United States after Donald Trump’s return to the White House.
Foreign films that garnered success at the box office also came from countries that Beijing has been mending ties with ahead of Trump’s comeback, such as longtime adversaries India and Japan.
The Tamil-language film Maharaja became the highest-grossing Indian movie in China in years, while for the first time, a Japanese import fared better in an overseas market than at home, according to the state-run Securities Times, with animated fantasy The Boy and the Heron reeling in 791 million yuan.
Guo Yuan, a 27-year-old fintech worker, said there weren’t any decent seats left when she was booking a ticket at a cinema in Guangzhou to see Maharaja.
“I’m a big fan of thrillers, and have a pretty good impression of Indian movies,” said Guo, who had a meal at the shopping centre before the show.
Even as China’s box office haul plunged by nearly a quarter to 42.5 billion yuan, foreign films had their best tally since before the pandemic to raise their share to 21% of the overall market, according to a report by Maoyan published this month.
In a rarity for China, R-rated Hollywood productions like Warner Bros’ Joker: Folie à Deux, a less gory sequel to the 2019 hit, were being premiered last year.
China blocked the first film, which came out as protests roiled Hong Kong and where some demonstrators wore face coverings including Joker masks.
The independent New York-based studio A24 had its first opening in China with the release of Civil War, a dystopian blockbuster set in an America ravaged by conflict.
China’s motivations can be murky to outside observers and censors don’t specify the reasons for their decisions.
Still, the outlines of the new approach started to become more clear around the middle of last year, when Mao Yu, the executive vice director of the China Film Administration, pledged to bring in more global films “with an open and accepting attitude”.
By August, China made improving the supply of films part of a plan to get people to spend more on services.
After a year when foreign productions were absent from the list of the best grossing films, two international blockbusters, including Godzilla x Kong: The New Empire, cracked the box office top 10 in 2024.
The world’s second-biggest market, which was once a goldmine for United States releases, saw 42 American and 24 Japanese films debut last year, the most since 2019, according to data compiled by Bloomberg from the Chinese ticketing service Maoyan Entertainment.
“Instead of producing domestic films, the distribution and ticket sales have become an important source of revenue for the industry,” said Wing-Fai Leung, a specialist in the East Asian film and media industries at King’s College London. “That leaves the idea of importing more diverse films.”
Consumption has meanwhile become a key area of focus for Xi’s government in recent months as it embarked on one of its biggest stimulus efforts in years to reverse a slowdown in the world’s second-largest economy.
But cultural imports have long been at the mercy of Beijing’s censors.
Walt Disney Co’s Shang-Chi and the Legend of the Ten Rings attracted unwanted attention in 2021 because the protagonist’s father in the original comic books was Fu Manchu, a character viewed as perpetuating racist stereotypes.
In the end, the first Marvel superhero film to star an Asian actor in the lead role was never officially released in China.
Geopolitics can also shape priorities.
Following clashes with Indian troops in a disputed border area in 2020, China approved no Indian movies for screening until two years later, with a total of 11 permitted since 2022. — Bloomberg