The power of selfies – and how art museums are overturning strict no-photo rules


By AGENCY

When it comes to rules surrounding photography, most international museums have become more permissive in recent years, in order to improve their brand image and maintain a link with their audience. Photo: AFP

There are few places more condusive to photography than museums. But some art establishments take a dim view of visitors snapping some of their prize pieces. However, these bans are gradually being reviewed to meet the expectations of an increasingly connected audience.

This change of heart is reflected in the Museo Reina Sofía's new policy on Guernica (1937), by Pablo Picasso. For decades, the Madrid museum had forbidden its visitors from taking photos of the Spanish artist's gigantic anti-war painting. This precautionary measure was intended to protect the painting from camera flashes, but also to avoid leading to a mass of people armed with smartphones and selfie poles gathering in front of the artwork.

Such crowds are not without danger for visitors, but above all for the works they come to admire. For example, La romería de los cornudo (1933) by Alberto Sánchez was damaged in June 2022 by a tourist trying to pose in front of this Reina Sofía treasure. The artwork was partially torn, although experts from the museum's restoration department considered the damage to be minor.

But, at a time when more and more museums are relying on social media to boost attendance, they can no longer afford to forbid visitors from photographing the works of their choice - including Guernica. That's why the Reina Sofía museum is now allowing photos to be taken of, or in front of, the painting by Picasso, a measure effective as of Sept 1, according to Euronews. However, the museum continues to prohibit photography with flashes, tripods, selfie poles and "any other type of camera stand," according to the museum's regulations.

Changing behaviour

For Manuel Segade, director of the Museo Reina Sofía, this new policy concerning Guernica seeks to exploit the photogenic potential of one of the world's best-known paintings.

"(We) are constantly mediated by cameras, when we go to a concert, when we go to any cultural event. We believe that it doesn’t make sense that Guernica doesn’t have the same iconic character it deserves," he told Euronews.

The initiative also puts an end to years of controversy surrounding the Madrid museum's restrictive policy. In the past, the Reina Sofía has come under heavy criticism after celebrities such as Mick Jagger and Pierce Brosnan photographed themselves with Picasso's masterpiece. A privilege then denied to other visitors.

The Museo Reina Sofía is not the only art institution worldwide to review its rules surrounding photography. Most international museums have become more permissive in recent years, in order to improve their brand image and maintain a link with their audience.

Some even encourage their visitors to take out their smartphones by designing "Instagrammable" exhibitions, like those at the Atelier des Lumières in Paris or the Museum of Selfies in Los Angeles.

The latter has been so successful since it opened in 2018, that it has since spawned outposts all over the world. Indeed, it seems that, in the museum world, the selfie is king. - AFP

Subscribe now to our Premium Plan for an ad-free and unlimited reading experience!
   

Next In Culture

Jebat: a classic and complex Malay tale deftly reimagined on stage
First Bob Ross TV painting, completed in 30mins, valued at nearly US$10mil
Get spooked: Junji Ito’s horror house exhibition ready to haunt Kuala Lumpur
Pump up the volume: dancer Lee Ren Xin's new show taps into the power of voice
The 'One Piece' manga is into its final saga: here's what you need to know
Kopi Buk in Kota Baru is a place to discover rare books, random treasures
Danish artist ordered to return museum cash he took as 'art'
Justice outside the League: Batman's 'other' superteam, The Outsiders, turns 40
Travel to other worlds at REXKL’s new immersive digital art exhibition
Book blurbs: no one knows whether hyperbolic tone is deserved or not

Others Also Read