A visitor views Chong’s Collective Loss, left, and Collective Memories (both C-Type photographic paper, 2017). Photos: The Star/Azman Ghani
How often do you get so many flowers on the walls of Richard Koh Fine Art in Kuala Lumpur? Probably not since Thai artist Natee Utarit’s solo show It Would Be Silly To Be Jealous Of A Flower last year, with oil paintings framed on a green wall.
Eiffel Chong, however, goes down the photography path with his current show, which alludes to different facades of life and loss in his perfectly posed shots of flowers, both alive and dying – and fake.
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