LATE last year, the Oscar-winning director Kathryn Bigelow produced a powerful short called “Last Days,” about the dangers and depredations of “ivory-funded terrorism.” Viewers – and Bigelow’s celebrity friends – were encouraged to share #LastDays on social media, which many duly did. Their efforts gave yet another boost to the widely accepted belief that terrorists across Africa are killing elephants and selling the ivory to finance their attacks. But like her full-length feature film “Zero Dark Thirty,” Bigelow is offering a beguiling story divorced from
reality.