THE haunting notes of gongs and strings drifted along Jalan Bukom as the New Voice Cantonese Opera troupe staged a rare performance during the Hungry Ghost Festival.
It was a notable revival for an art form that has become scarce in Penang.
For four nights, the troupe presented episodic stories steeped in themes of loyalty, betrayal and love.
Elderly performers in richly embroidered costumes and elaborate face paints moved with poise under the stage lights.
Their voices carried the weight of a tradition that has endured for centuries.
While Hokkien and Teochew operas are still common sight during such festivals, Cantonese opera has almost vanished from the local scene.
Though most troupe members are in their senior years, they continue to reunite each year, determined to keep the craft alive.
Once a staple entertainment for Cantonese communities across South-East Asia, the opera now survives on dwindling audiences and fading expertise.
According to locals in Jalan Bukom, a small lane in George Town, the area was historically home to a close-knit Cantonese community.
Many of its residents trace their roots to early Cantonese migrants who brought with them traditions such as opera, clan associations and festival rituals.
