State’s art of weaving to be promoted in Japan roadshow


  • Metro News
  • Wednesday, 26 Feb 2020

Shahril Nizam showing the kain songket Johor with Tanjung Piai motif represented by ferns on the kepala (head) of the songket.

Johor Heritage Foundation (YWJ) will promote kain benang and songket Johor to the Japanese people during its roadshow to the Land of the Rising Sun.

Its director Shahril Nizam Abdul Rahim said the roadshow would be held in April in Tokyo, and at a later date in Kyoto, Osaka.

He said YWJ was invited by Japan Foundation to showcase kain benang Johor, also known as tenun corak Muar (chequered pattern).

Japan Foundation is tasked with undertaking international cultural exchange programmes between Japan and other countries.

“It is a good platform to promote our art and cultural heritage of weaving not only to the Japanese audience but also to international visitors there, ” said Shahril Nizam.

YWJ will be taking part in the 5th Textile Tokyo trade show, which will be part of the Fashion World Tokyo 2020 from April 1 to 3.

Shahril Nizam said the event also offered a good opportunity to promote the state’s many attractions in conjunction with Visit Johor 2020.

“At present, we are focusing more on promoting tenun corak Muar, a design named after the Muar district, as the identity of kain tenun Johor, ” he added.

Bandar Maharani in Muar was officially opened in 1887 and declared a Johor Royal town by Johor Ruler Sultan Ibrahim Ibni Almarhum Sultan Iskandar in 2012.

Shahril Nizam said among the motifs for Johor’s tenun corak Muar produced by Galeri Tenun Johor at YWJ were black pepper, gambier, bunga melor (jasmine), bunga tanjung (bullet wood), tampuk manggis (mangosteen calyx) and buah kesemek (persimmon).

“Galeri Tenun Johor was set up at the request of Sultan Ibrahim who wanted to see the revival of the art of weaving in Johor.”

He said unlike Terengganu, Kelantan and Pahang, Johor was not that well-known for its weaving activities and many people were unaware that it was part of the state’s culture. — By ZAZALI MUSA

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