For many Sarawak artists, inspiration lies deep in their roots.
TAN Wei Kheng is based in Miri but regularly goes into the Sarawak interiors, spending a week or more each time to reacquaint himself with the indigenous Orang Ulu, Kayans, Kenyahs, Kelabits, Bidayuhs, Ibans and the nomadic Penans. His forays started in 1992.
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