Versace creative chief Dario Vitale exits less than nine months on job


By AGENCY

Dario Vitale took over in April from Donatella Versace. He had been the design director of Prada's secondary Miu Miu brand before that. Photo: Handout

Italian fashion brand Versace announced the departure of its chief creative officer, Dario Vitale, on Thursday (Dec 4), less than nine months after he took over from Donatella Versace.

The announcement came two days after Prada Group concluded its acquisition of Versace. The latter brand said it would announce a new creative head "in due course".

Versace and Vitale "have mutually agreed to part ways effective from December 12", Versace said in a statement.

Vitale took over on April 1 from Donatella, the flashy label's longtime creative head and sister of founder Gianni Versace, ahead of the company's sale to Prada.

Read more: Did Versace’s pivot to ‘quiet luxury’ eventually lead to the Prada takeover?

He had been the design director of Prada's secondary Miu Miu brand, where he oversaw 93 percent retail growth last year, despite a challenging environment for luxury fashion.

Versace thanked Vitale for his "outstanding contribution... during this transition period".

Prada announced in April it would buy Versace from Capri Holdings Limited for €1.25bil (approximately RM6bil), hoping to breathe new life into a brand that had struggled under its US owner.

The acquisition closed on Tuesday (Dec 2). – AFP

Follow us on our official WhatsApp channel for breaking news alerts and key updates!
fashion , Versace , Prada , Dario Vitale

Next In Style

When red carpet fashion becomes clickbait, nothing is too bare or absurd
Here’s what to know about the sweatshop probes into Italy’s luxury fashion
From sea to skin: The rise of marine ingredients in today’s beauty rituals
The evolution of a puffer jacket and how it became a fashion statement
Still puzzled by the quarter-zip fashion trend? Here's what the men have to say
What is a ‘potato shoe’ and why can’t fashion get enough of this footwear trend?
For Annelinde Dunselman, watchmaking is a life-long dialogue with time
More than a watch: How the Rolex GMT-Master became a global icon
The 25th Grand Prix d’Horlogerie de Geneve honours watchmaking innovations
Annelinde Dunselman balances on the edge of the impossible with The Black Tulip

Others Also Read