The name Arnold Schwarzenegger doesn’t usually appear in the same sentence as “indie” or “arthouse”, let alone “drama” – but here we have them all in Maggie, an unheralded little marvel of a film.
If there was anything really different the Governator could do in this second phase of his film career, this is it. By not reprising his 1980s action hero archetype or falling back on his killer cyborg template, Schwarzenegger flexes an entirely different set of muscles here.
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