'Paradise State Of Mind' review: Foster the People delight and frighten with new album


By AGENCY

Foster the People. Photo: Atlantic Records

When you put on Foster the People's new album and you're happily bopping along to the infectious funk-disco beat of the first track, you might hardly notice the growing sense of dread in the lyrics, as dark as the music is silly-light. Welcome back, Mark Foster.

"My friends were going out last night and I still haven't heard from them," he sings in See You in the Afterlife, a tune that has scary newspaper headlines, an empty Colosseum and even a reference to the war in Ukraine. It's like we've all been hypnotised.

It's been seven years since 2017’s album Sacred Hearts Club and Foster and his bandmates haven't lost a step, making thoughtful, first-rate pop for a jangled, insecure era with the 11-track Paradise State Of Mind, the majority written with Isom Innis and with Foster producing the lion's share for the first time.

Like the last collection, Foster the People has glistening pop beside complex tuners, with many of the songs eventually dipping into experimental territory or heavy distortion, like the unconventional flute solo on Sometimes I Wanna Be Bad and the hard-to-love Glitchzig, which goes through a half-dozen time signatures, shrieking trumpet and elements of antiseptic Kraftwerk.

Highlights include Lost in Space, filled with a falsetto chorus and hand-claps, which sounds like it was designed for a roller rink in the ’70s – with unsteady lyrics like "I let the darkness in to teach me" – and Let Go, which starts out like a dreamy blast of positive vibes until the last third, when what can only be described as heavenly robots hijack the song, singing, "To be broken is to be set free".

The heavily distorted, synthetic-sounding Feed Me is like a sexy come-on in the digital era – "I want to hack your code and be your anti-hero/Turn you on and let my one activate your zero" – while Foster reveals perhaps his motivation for all this wonderful, creepy weirdness on the last song, A Diamond to be Born.

"I look at myself through a broken lens," he sings in the song, so spacey that it's almost a prayer. "Try my best to keep from unravelling". You and us both, brother. Along the way, he's given us another diamond. — AP

7.5 10

Summary:

Foster delivers another diamond

Follow us on our official WhatsApp channel for breaking news alerts and key updates!
Foster The People

Next In Entertainment

South Korean heartthrob Ji Chang-wook says he's getting too old for action projects
Singer Stacie Orrico sues ex-manager for childhood sexual abuse
Taiwanese singer Jolin Tsai sues influencer for calling Pleasure World Tour a ‘cult’ event
Golden Globes 2026: Rose Byrne and Timothee Chalamet win in movie categories
Golden Globes 2026: ‘The Studio,’ ‘The Pitt,’ and ‘Adolescence’ win top TV honours
'Little House On The Prairie' star Melissa Gilbert's husband, actor Timothy Busfield accused of child sex abuse
Timothee Chalamet beats Leonardo DiCaprio at Hollywood's Golden Globes
Singaporean singer WhyLucas says he has no regrets pausing his studies to focus on music
DiCaprio? Chalamet?: Who will host Nikki Glaser roast at this year's Golden Globes?
Malaysian actor Hero Tai likens living with sister-in-law to 'an incurable tumour'

Others Also Read