Censorship swatted, nasi lemak served as visitors celebrate Ahmad Fuad's reinstated works at NAG


A visitor walks past an untitled two-part 2002 work featuring "Missing” poster paintings of Datuk Seri Anwar Ibrahim after it was reinstated in Ahmad Fuad Osman's solo exhibition 'At The End Of The Day Even Art Is Not Important (1990-2019)' at the National Art Gallery. Photo: The Star/Azman Ghani

It was business as usual at the National Art Gallery (NAG) today after it reinstated all four artworks from contemporary Malaysian artist Ahmad Fuad Osman’s solo exhibition that were taken down earlier this month.

Today was the first full-day for the masses to view the previously censored works at NAG following the reinstallation process which took place yesterday causing the show to be closed to the public for a few hours.

The removal of these works from Ahmad Fuad's show At The End Of The Day Even Art Is Not Important (1990-2019), allegedly because they were too political and obscene, had caused a public uproar, prompting calls for the reinstatement of the art.

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