Gadd's 'Civet In Fairyland' (silver gelatin print on warm tone fibre, 2017). Photos: Paul Gadd
Foggy-headed is not what you’d use to describe Paul Gadd, but that’s exactly how the 50-year-old British photographer felt several years ago.
“A dead bird shoved inside a cage, head first, that was my state of mind. Totally bogged up,” he shares during an interview at The Print Room, his Petaling Jaya studio and gallery specialising in film photography.
Already a subscriber? Log in.
Limited time offer:
Just RM5 per month.
Cancel anytime. No ads. Auto-renewal. Unlimited access to the web and app. Personalised features. Members rewards.
Follow us on our official WhatsApp channel for breaking news alerts and key updates!
