Raimi Sani’s young women tread softly, in muted whispers of lace, feather-light touches and long tumbling hair. It is a comfortable kinship, one that is secure in embracing even the misunderstood. Here, reticence is not reluctance or indifference; instead, it belies a curious mind and a cautious, yet curious, navigation of the world.
White Knight, Raimi’s first solo exhibition in Selangor comes from a place of contemplative isolation, a quiet sanctuary where thoughts are collected, then shared.
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