At Justin Lim’s last solo exhibition in Richard Koh Fine Art, Kuala Lumpur two years ago, a pervading sense of decay hung in the air. Stylish in execution, the paintings featured skulls, dead birds and dead plants, embellished with details like blue roses and, unconventionally, slabs of raw meat.
Somehow, Lim managed to make this state of decay look winningly sexy, with splashes of colour bringing it to life.
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