Panggung Pusaka at the upcoming Yayasan Sime Darby Arts reflects the country’s innate diversity.
Perhaps the most common misconception about expressions of traditional culture is that they remain static, unchanging, immutable. In recent decades, traditional culture, packaged on most national platforms as a reflection of community “heritage” and a nation’s historical well-being have suffered from forms of subtle museumisation – neatly packaged for tourist amusement – that has left it largely bereft of its inner dynamism, versatility and capacity for change.