IN the summer of 1967, the world was new, and anything could happen, from riots and revolution to free love and stoner festivals.
Amidst all this, Procol Harum was a major event. Arriving on the scene with the mystical Baroque-pop, psychedelic masterpiece that was A Whiter Shade Of Pale, Gary Brooker and his paisley-attired pals seemed set to be major players in the new order. But the reality was that it went rather flat quite quickly.
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