IT’S a good kind of “too busy” right now for actress Elisabeth Moss. At the Sundance Film Festival for the world premieres of two films, Alex Ross Perry’s Listen Up Philip and Charlie McDowell’s The One I Love, she also has been making awards-season rounds for AMC’s Mad Men as well as the miniseries Top Of The Lake, for which she recently won a Golden Globe.
Adding to her hectic schedule is the final-season production of Mad Men, in which Moss plays Peggy Olson, a meek secretary transformed into a self-possessed advertising executive. On the weekend of the Globes, she squeezed in an interview before getting the manicure that would become infamous when she cheekily flipped off the “mani-cam” of one network’s red carpet coverage.
Having so many projects percolating at once could presumably leave her a little confused at times regarding just what she’s supposed to be talking about.
“It was a little discombobulating, but it just takes a second,” she said, noting how on consecutive days she went to events for Top Of The Lake, Mad Men, this interview for her two Sundance films, then the Globes for Top Of The Lake and back to work on Mad Men.
“It is funny. You do have to stop for a minute, ‘What is this about?’ Just watch, I’ll end up telling you a bunch of Peggy stuff.”
Both roles at Sundance capture the shifting mix of steely determination and soft vulnerability that is something of Moss’ stock in trade. In Listen Up Philip, Moss plays Ashley, a New York City photographer who breaks up with her novelist boyfriend, Philip, played by Jason Schwartzman. The film’s unusual structure, with a literary narration read by Eric Bogosian, finds Ashley leaving the story for a spell but then reemerging as the focus of an emotional storyline all her own.
At first, writer-director Perry was looking for a more outwardly comedic actress for the part to play off Schwarztman’s deadpan timing, but when the idea of Moss came up, he realised, “That’s going to make for a more interesting film. It’s not who can spar comedically with Jason; it’s who can run laps around Philip. And she’s it.”
Perry added that though he didn’t immediately see Moss in the part, he quickly came around to it.
“Just seeing her in a New York movie in Brooklyn wearing shorts and being kind of fun and bitchy, it became really exciting to me,” he said. “That’s an easy role to assume requires no acting, ‘Oh, she’s just playing a normal person.’ But it’s quite the opposite. She found so much to create within that character.”
For The One I Love, Moss plays one half of a couple, alongside costar Mark Duplass, who are sent on a weekend retreat by their therapist. The story features something of a spoiler-able twist everyone seems to be likening to Charlie Kaufman for its cerebral absurdity. It can make talking about the film tricky, and Moss recalled a conversation she had with director Charlie McDowell about just that.
“For eight years I have not talked about Mad Men,” she said, referring to the closely guarded secrecy of the show. “I asked Charlie how to talk about the movie and he said, ‘Maybe say this and this,’ and I was like, ‘I got this.’ I know how to talk about something without talking about it.
“What attracted me to the movie was the relationship aspects of it,” she added. “The concept behind the quote-unquote twist is the idea of who you present in a relationship, how you project one person in the beginning and then kind of shift to something else, maybe more who you really are. And then what’s considered the ideal woman from a man’s point of view and what he really wants his girlfriend to be like.”
Even with the film’s more secretly fantastic elements, Moss kept the performance grounded in something believable and real.
“She just feels like a real person to me,” said McDowell. “And I really discovered this after working with her; she’s just the most present actor I’ve ever seen. She really dedicates herself to what she’s doing in the most naturalistic way. There’s never a moment that feels phony or false to me.”
With her various projects, Moss has shown it won’t take much for her to shake off Peggy Olson once Mad Men is done. For any fans of the show hoping that Moss might accidentally spill some tidbit about the ultimate fate of her character, she is perhaps not the one to ask.
“I actually don’t any have idea. A couple of pieces here and there, but I don’t know how we’re going to get there,” she said. “The bigger ideas I don’t even know.”
What comes after Mad Men for Moss remains to be decided.
“I’m just starting to look seriously,” she said. “For me, I’m now available in a way I haven’t been for eight years. I’m looking forward to the idea that when I’m done in June, I don’t have to find something for the next few months. If I don’t find something right away, that’s OK. But just watch, I don’t get anything ever again and I’m like, ‘I wish I was back on Mad Men.’” — Los Angeles Times/McClatchy-Tribune Information Services