Anisa snips her way to a sold-out show in first solo exhibition

ON first impression, there is nothing outstanding about Anisa Abdullah’s work. One might even groan at the all too familiar pop versions of John Lennon or P. Ramlee and the fintail Mercedes poster.

But step closer to the canvas and amazement sets in. For all of Anisa’s work is made entirely from snips of paper, painstakingly formed into a collage.