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Thursday August 22, 2013 MYT 12:00:00 AM
Thursday August 22, 2013 MYT 6:53:34 AM
by robert macpherson
A toilet at Gregory Kloehn’s home. -AFP
A Californian artist has turned a garbage can into a cosy micro-apartment.
THERE’S nothing trashy about Gregory Kloehn’s Brooklyn pied-a-terre: a live-in dumpster that sleeps two with ease, hosts impromptu barbecue parties and sports its own sundeck.
It’s the California artist’s tin-can contribution to the tiny-house movement that’s prompting many Americans to ask if bigger really is better when it comes to having a roof over your head.
“On the street, when it’s all closed up, if you didn’t know about it, you would think it’s a garbage can,” said Kloehn, 42. “They don’t know I’m in here sleeping ... Even with the barbecue going outside and chicken wings grilling, people just walk by. They don’t see it as a home.”
Kloehn had already turned six-metre shipping containers into housing units when he thought up the idea of doing likewise with the steel garbage receptacle known to Britons as a skip.
“What I did is that I bought a brand new dumpster and just started going to town,” he said. “I was going to make it a little rougher at first, but when I started, I thought, ‘Let’s put in some granite countertops. Let’s put in some hardwood floors. Let’s really make it luxurious and liveable – really take everything a regular home has and throw it into this small space.”
You enter Kloehn’s dark-green crash pad – his home back in Oakland is rather more conventional – through a Dutch door with an affixed minibar that is well-stocked with whiskey and vodka. To the right is the galley-style kitchen with smooth granite countertop, sink, single-burner gas stove, concealed icebox and a hood fashioned out of an old wok.
Running around the edge is a cushioned sofa, upholstered in black vinyl, with backs and seats that lift off to reveal storage space and a marine toilet connected to a city sewage system.
There’s definitely no room to swing a cat, but twist a crank and up goes the ceiling to reveal a pair of eyebrow windows for natural light and some welcome headroom.
Welded onto the exterior is a shower and the gas barbecue. Electricity comes from whatever socket happens to be nearby – what Kloehn calls “living off somebody else’s grid.”
Kloehn paid about US$1,000 (RM3,300) for the dumpster, known in the trash business as a “six-yard humpback”.
He spent another couple of thousand on fittings and insulation – about as much as one month’s rental for a cramped Manhattan studio.
“It’s actually kind of neat, considering what he built it out of,” said Ryan Mitchell, who blogs about tiny-house design and construction at www.thetinylife.com.
In a nation where the average home is 241 sqm, tiny houses are fetching more attention, not least from aging baby boomers looking to downsize in their retirement years.
“There are more builders. There are more people seeking to live in tiny houses,” said Mitchell who is completing his own diminutive dwelling in North Carolina.
There would be even more tiny homes, he said, if local zoning regulations and housing codes were not so restrictive.
In a back alley in Washington, a four-unit tiny-house community has taken root at Boneyard Studios (www.boneyardstudios.com), showcasing the possibilities of small-is-beautiful housing in the heart of the nation’s capital.
“It’s not for everyone by any means,” said Jay Austin, whose 13 sqm home at Boneyard Studios, the Matchbox, is totally off-grid, self-sustaining and carbon-neutral.
In New York, the city’s museum is showing off a 30 sqm micro-apartment boasting all the features of a unit twice its size – and it has invited a lucky few to try it out for size by spending the night in it.
Not content with making a dumpster just for himself, Kloehn has used found materials – a fridge door here, some castaway lumber there, topped with a fibreglass hood from a pickup truck – to create a “debris home-on -wheels” for the homeless.
He’s also tinkered with barbecue and salad bars on bicycle frames, documenting them on www.gregorykloehn.com.
Back in Brooklyn, where he’s in the early stages of turning four six-metre shipping containers into an “interactive sculpture” literally a stone’s throw away, Kloehn climbs atop his dumpster’s sundeck and casts an eye over his neighbourhood.
Over here, there’s the cavernous artists’ loft whose owner kindly lets him keep his dumpster in the backyard. In front, sits the abandoned yet majestic New York Dock Company warehouse. And over there, is the gleaming white Queen Mary II that just sailed into town.
“The bigger the home, the bigger the problems,” Kloehn mused.
“There’s more overhead, more things to go wrong, more yard to take care of.”
He shrugged: “You’re going to fill it up eventually with junk anyway.” – AFP
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